“Professor A. Ramachandran has contributed significantly to the Indian art scene. He has been a ceaseless experimenter and a versatile artist. Over the years his paintings have acquired a classical monumentality and his use of medium and colours luminosity. He has also created a substantial body of sculptures. This book of three essays and a photo-essay is being published on the occasion of his solo exhibition in New York in December 2007, featuring faces from Rajasthan, studies of heads in oil and a suite of ten watercolours. The book crystallizes the artist’s philosophy of life and his persona and his relationship with his subjects and himself while distilling his philosophy of the surge of life force in all things in the universe. It highlights his observations about his aesthetics and the evolution of his distinctive visual style, as well as the influences of Kerala and Santiniketan in moulding his artistic sensibilities. His engagement with modernism does not confine itself to expressing himself through an international idiom, but reinventing a traditional idiom to suit a contemporary sensibility. Besides his paintings, he has also created a substantial body of sculptures.” – The Guild
Aztec pyramids, pyramid-shaped structures, are an important part of ancient architecture of the Aztec Civilization. These structures were usually step pyramids with temples on top – more akin to the ziggurats of Mesopotamia than to the pyramids of Ancient Egypt. The Mesoamerican region’s largest pyramid by volume – indeed, the largest in the world by volume – is the Great Pyramid of Cholula, in the Mexican state of Puebla. These Aztec pyramids were mainly built for religious purposes. As mentioned before, the Aztecs were a religious group of people. These pyramids were therefore used to worship their Gods as well as to offer a sacrifice. The temple area on the top of the pyramid often had flat spaces, which played the role of a sacrificial block.
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