Tag Archives: sacred geometry

Book Select: A Beginner’s Guide to Constructing the Universe

Screen Shot 2015-04-11 at 10.07.53 AMIn the spiral of the nautilus shell, in the veins of a maple leaf, in the bonds of the benzene ring–everywhere he looks, Schneider sees a cosmic geometry. Of course, the lines of this geometry have long attracted the attention of probing minds, including Pythagoras, Plato, the Psalmist, Demetrius, and Plotinus. The author weaves the insights of these thinkers and many more together in a tapestry of reflections (richly illustrated) on celestial harmonies. Once initiated into the ancient mysteries, the reader will recognize profound meanings–not merely scientific utility–in squares, triangles, and other common shapes. The reader needs no extraordinary expertise in mathematics to explore these pages, just a relish for intellectual adventure. Schneider helps us discover just how much mental energy can fit within the circle of new horizons.

Download the full book as a  PDF file here 

Sacred Art

Screen Shot 2015-01-21 at 9.43.15 AM

 

Artprize winner of Public and Juried Grand Prize at GRAM (Grand Rapids Art Museum) in Grand Rapids, 2014

Intersections, Laser-cut Wood, Single Light Bulb, 6.5′ Square Cube, Completed: December 2013, Cast Shadows: 32’x34′

In the ‘Intersections’ project, the geometrical patterning in Islamic sacred spaces, associated with certitude is explored in a way that reveals its fluidity. The viewer is invited to confront the contradictory nature of all intersections, while simultaneously exploring boundaries. My goal is to explore the binaries of public and private, light and shadow, and static and dynamic by relying on the purity and inner symmetry of geometric design, and the interpretation of the cast shadows. The form of the design and its layered, multidimensional variations will depend both on the space in which it is installed, the arrangement of the installation, and the various paths that individuals take while experiencing the space.

The Intersections project takes the seminal experience of exclusion as a woman from a space of community and creativity such as a Mosque and translates the complex expressions of both wonder and exclusion that have been my experience while growing up in Pakistan. The wooden frieze emulates a pattern from the Alhambra, which was poised at the intersection of history, culture, and art and was a place where Islamic and Western discourses, met and coexisted in harmony and served as a testament to the symbiosis of difference. For me the familiarity of the space visited at the Alhambra Palace and the memories of another time and place from my past, coalesced in creating this project. My intent with this installation was to give substance to mutualism, exploring the binaries of public and private, light and shadow, and static and dynamic. This installation project relies on the purity and inner symmetry of geometric design, the interpretation of the cast shadows and the viewer’s presence within a public space.